Pete La Roca born 7 April 1938

Pete "La Roca" Sims (born Peter Sims; April 7, 1938 – November 20, 2012, known as Pete La Roca from 1957 until 1968) was an American jazz drummer and attorney. He was one of the most popular drummers of his era; the Lord Discography lists sixty record dates from 1957 to 1967. 

Born and raised in Harlem by a pianist mother and a stepfather who played trumpet, he was introduced to jazz by his uncle Kenneth Bright, a major shareholder in Circle Records and the manager of rehearsal spaces above the Lafayette Theater. Sims studied percussion at the High School of Music and Art and at the City College of New York, where he played tympani in the CCNY Orchestra. He adopted the name La Roca early in his musical career, when he played timbales for six years in Latin bands. In the 1970s, during a hiatus from jazz performance, he resumed using his original surname. When he returned to jazz in the late 1970s, he usually inserted "La Roca" (a pun on the Spanish ''piedra,'' or rock) into his name in quotation marks to help audiences familiar with his early work identify him. 

Sonny Rollins & La Roca

He told The New York Times in 1982 that he did so only out of necessity: I can't deny that I once played under the name La Roca, but I have to insist that my name is Peter Sims with La Roca in brackets or in quotes. For 16 or 17 years, when I have not been playing the music, people have known me as Sims....When I was 14 or 15, I thought "La Roca" was clever; right now, it's an embarrassment. I thought that it would be something that people would probably remember - boy, was I ever right on that one! I can't make my conversion. 

               Here’s “Tears Come From Heaven” from above LP

                                     

In 1957, Max Roach became aware of him while jamming at Birdland and recommended him to Sonny Rollins. As drummer of Rollins' trio on the afternoon set at the Village Vanguard on November 3 he became part of the important record A Night at the Village Vanguard. (Only one of five recorded tracks with La Roca was included on the original single LP release of the album). In 1959 he recorded with Jackie McLean (New Soil) and in a quartet with Tony Scott, Bill Evans and Jimmy Garrison. Besides Garrison he often joined with bassists who played in the Bill Evans Trio, especially Scott LaFaro and Steve Swallow, and also accompanied pianists like Steve Kuhn, Don Friedman and Paul Bley. 

Between the end of the 1950s and 1968, he also played with Slide Hampton, the John Coltrane Quartet, Marian McPartland, Art Farmer, Freddie Hubbard, Mose Allison, and Charles Lloyd, among others. During this period, he led his own group and worked as the house drummer at the Jazz Workshop in Boston, Massachusetts. He recorded two albums as a leader during the mid-1960s, Basra (Blue Note, 1965) and Turkish Women at the Bath (Douglas, 1967). 

In 1968, with the market for acoustic jazz in decline, Sims decided to enroll in law school. By this time he was already earning most of his income by driving a taxi cab in New York City, a job he held for five years during the 1960s. Sims became a lawyer in the early 1970s, and was still practicing at the time of a 1997 radio interview with WNYC's Steve Sullivan. When his album Turkish Women at the Bath was re-released on Muse Records as "Bliss" in 1973 under Chick Corea's name (without Sims' consent), Sims filed a lawsuit and served as his own legal counsel. Sims won his suit, and the erroneously-labeled records were recalled. 

He returned to jazz part-time in 1979, and re-emerged in 1997, with a group called SwingTime and an album, again for Blue Note, that adhered to his unswerving philosophy. "Music is the result of bow on string, breath through metal, fingers on ivory, sticks and mallets on brass and strings – all applied by real people who've taken the time to learn the skill and magic of it," he once said. 

Sims died November 20, 2012 in New York of lung cancer, at the age of 74. 

"He was by far one of the most brilliant minds I ever knew, one of the greatest musicians I ever encountered who for starters would sing the bass line in key and was a drummer like no one else," wrote the saxophonist Dave Liebman, who played in La Roca's band in 1969, on Facebook. 

(Edited from Wikipedia & The Guardian)

André Previn born 6 April 1929

André George Previn (April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical. Over his multi-decade film career, Previn was involved in the music of over 50 movies as composer, conductor, and/or performer. 

Previn was born Andreas Ludwig Priwinin Berlin to a Jewish family, the second son and last of three children of Charlotte (née Epstein) and Jack Previn, who was a lawyer, judge, and music teacher born in Graudenz, then in Germany but now in Poland. The eldest son, Steve Previn, became a film director. The year of Previn's birth is disputed. Whereas most published reports give 1929, Previn himself stated that 1930 was his birth year. All three children received piano lessons and Previn was the one who enjoyed them from the start and displayed the most talent. 

At six, he enrolled at the Berlin Conservatory. In 1938, Previn's father was told that his son was no longer welcome at the conservatory, despite André receiving a full scholarship in recognition of his abilities, on the grounds that he was Jewish. Previn's family was forced to leave Hitler's Germany in 1939. Hollywood naturally beckoned, since André's grand uncle (Charles Previn) was already well established as musical director at Universal (1936-42). Child prodigy André recorded his first piano jazz album at the age of sixteen while continuing studies at Beverly Hills High School. 

                         

                        Here's "Love Walked In" from above LP

He joined MGM at age 17 in 1946 (initially as an uncredited music supervisor/arranger), later as orchestra conductor and still later as a composer of film scores. He remained under contract at the studio until 1960. During his tenure in Hollywood, he was nominated for eleven Academy Awards, winning four (all for Best Adapted Score: Gigi (1958), Porgy and Bess (1959), Irma la Douce (1963), and My Fair Lady (1964)). In the 1950s, he recorded several acclaimed jazz albums with drummer Shelly Manne and pianist Russ Freeman, featuring excellent tracks like "Who's on First" and "Strike Out the Band". He began conducting with the St. Louis Symphony in 1961 while still working primarily as a jazz and studio musician. Much of his recorded work consisted of show tunes adapted for jazz. Gradually, his interest in classical music won out. 

By the late 1960s, Previn had settled in England and in 1968 was made principal conductor of the London Symphony Orchestra, a position he occupied for eleven years. During this period, Previn won a 1964 Academy Award for My Fair Lady. In 1967, Previn succeeded Sir John Barbirolli as music director of the Houston Symphony Orchestra. In 1968, he began his tenure as principal conductor of the London Symphony Orchestra (LSO),serving in that post until 1979. 

His popularity led to cameo TV appearances (including a famous sketch for the 1971 Christmas special of the The Morecambe & Wise Show (1968), in which he appeared as "Mr. Andrew Preview") and television advertising (Vauxhall, Ferguson TX portable television etc.). His film work continued until 1975's Rollerball. During his LSO tenure, he and the LSO appeared on the BBC Television programme André Previn's Music Night. From 1975 to 1985, he was music director of the Pittsburgh Symphony Orchestra (PSO) and, in turn, had another television series with the PSO entitled Previn and the Pittsburgh. He was then principal conductor of the Royal Philharmonic Orchestra from 1985 to 1991. 

In 1993, he was appointed conductor laureate of the London Symphony and three years later was made an Honorary Knight Commander of the Order of the British Empire for services to music. He won 10 Grammy Awards (including two for jazz and two for film music) and was nominated for six Emmys. Previn latterly returned to recording jazz albums with, among others, Ella Fitzgerald (1983), Joe Pass & Ray Brown (1989), and Kiri Te Kanawa (1992). Two excellent tribute albums released, respectively in 1998 and 2000 for Deutsche Grammophon, were 'We Got Rhythm: A Gershwin Songbook' and 'We Got it Good: An Ellington Songbook'. 

In 2005 he was awarded the international Glenn Gould Prize and in 2008 won Gramophone magazine's Lifetime Achievement Award for his work in classical, film, and jazz music. In 2010, the Recording Academy honored Previn with a Lifetime Achievement Grammy. 

Married (and divorced) five times, his ex-wives included Dory Previn and Mia Farrow. Previn died at his home in Manhattan on February 28, 2019, aged 89. Previn's discography contains hundreds of recordings in film, jazz, classical music, theatre, and contemporary classical music. 

(Edited from Wikipedia)

 

Lord Buckley born 5 April 1906

Lord Richard Buckley (born Richard Myrle Buckley; April 5, 1906 – November 12, 1960) was an American stand-up comedian and recording artist, who in the 1940s and 1950s created a character that was, according to The New York Times, "an unlikely persona ... part English royalty, part Dizzy Gillespie." 

Buckley's father, William Buckley, was from Manchester, England. He stowed away on a ship that eventually arrived in San Francisco. In California, William met Annie Bone. They married, and their son, Richard, was born in Tuolumne, a small town near Sonora, in a mountainous region where lumbering was a major industry. As children, Buckley and his sister, Nell, would often perform on the streets of Tuolumne, singing for coins from passersby. 

When he was a bit older, Buckley got a job in the local lumber camps as a "tree topper," which was considered an especially dangerous position. It involved climbing up to the very top of a tall tree, cutting off the tip and then securing ropes that would guide the rest of the tree as it was felled. After quitting his job in Tuolumne, he travelled to Mexico to work in the oilfields. He moved to Galveston, Texas where he got a job at the Million Dollar Aztec Theatre. 

By the mid-1930s, he was performing as emcee in Chicago at Leo Seltzer's dance marathons at the Chicago Coliseum, In the late 1930s he worked for Al Capone, who described Buckley as "the only person who can make me laugh". Capone set up Buckley with his own club Chez Buckley, on Western Avenue where he performed through the early 1940s. During World War II, Buckley performed extensively for armed services on USO tours, where he formed a lasting friendship with Ed Sullivan. 

In the 1950s, Buckley hit his stride with a combination of exaggeratedly aristocratic bearing and carefully enunciated rhythmic hipster slang. He was known for wearing a waxed mustache along with white tie and tails. He sometimes wore a pith helmet. Occasionally performing to music, he punctuated his monologues with scat singing and sound effects. His most significant tracks are retellings of historical or legendary events, like "My Own Railroad" and "The Nazz". The latter, first recorded in 1952, describes Jesus' working profession as "carpenter kitty." 

                                   

Other historical figures include Gandhi ("The Hip Gahn") and the Marquis de Sade ("The Bad-Rapping of the Marquis de Sade, the King of Bad Cats"). He retold several classic documents such as the Gettysburg Address and a version of Edgar Allan Poe's "The Raven." In "Mark Antony's Funeral Oration", he recast Shakespeare's "Friends, Romans, countrymen, lend me your ears" as "Hipsters, flipsters, and finger-poppin' daddies: knock me your lobes." Reportedly, some of his comic material was written for him by Hollywood "beatnik" actor Mel Welles. 

Lord Buckley appeared on Groucho Marx's popular TV program You Bet Your Life in 1956. In 1959, he voiced the beatnik character Go Man Van Gogh in "Wildman of Wildsville", an episode of the Bob Clampett animated series Beany and Cecil.  Buckley adopted his "hipsemantic" delivery from his peers Cab Calloway, Louis Armstrong, Redd Foxx, Pearl Mae Bailey, Count Basie, and Frank Sinatra, as well as Hipsters and the British aristocracy. 

Buckley enjoyed smoking marijuana. He wrote reports of his first experiences with LSD, under the supervision of Dr. Oscar Janiger, and of his trip in a United States Air Force jet. Lord Buckley claimed to have been married six times. He had a son, Fred Buckley. His final marriage was to dancer Elizabeth Hanson (whom he referred to in public as "Lady Buckley"), with whom he had a daughter Laurie (b. 1951) and a son Richard (b. 1952). 

In the autumn of 1960, Buckley's manager Harold L. Humes organized a series of club dates in New York City, and arranged for him to make another appearance on The Ed Sullivan Show. However, on October 19, 1960, while Buckley was making a public appearance at the Jazz Gallery in St. Mark's Place in Manhattan, the New York Police Department (NYPD) stopped him over allegations he had "falsified information" on his application to get a New York City cabaret card; specifically he had omitted to record a 1941 arrest for marijuana possession. 

At a hearing two days later to have his card reinstated, Buckley was supported by more than three dozen major figures in the entertainment and arts world. Three weeks later, on November 12, 1960, Buckley died from a stroke at New York City's Columbus Hospital.His funeral was at the Frank E. Campbell Funeral Chapel at 81st Street and Madison Avenue in New York City on November 16, 1960. Buckley was cremated at the Ferndale Cemetery in Hartsdale, New York. The scandal of Buckley's death, partially attributed to the seizure of his cabaret card, helped lead to the transfer of authority over cabaret cards from the police to the Licensing Department.

(Edited from Wikipedia)

Cliff Waldron born 4 April 1941

Clifford Waldron (April 4, 1941 – July 1, 2024) was an American bluegrass musician. Waldron is best known for his collaborations with bluegrass musician Bill Emerson, with the two forming the bluegrass duo Emerson & Waldron, as well as the formation of his own band, Cliff Waldron and the New Shades Of Grass. 

Waldron was born in Jolo, West Virginia, a small rural community in McDowell County. He grew up listening to Bill Monroe, Flatt & Scruggs, and the Stanley Brothers. As a teenager, he played mandolin and guitar and later performed in local bands. Waldron played mandolin for the Page Valley Boys from 1964 – 1966. 

Waldron relocated to the Washington, D.C. area in the early 1960s and went on to perform with regional pickers. During the mid 60’s Waldron soon formed a relationship with bluegrass musician Bill Emerson and began performing with him, forming the duo Emerson & Waldron. The initial band was called The Lee Highway Boys, but was changed to Emerson & Waldron and it stuck. Though the partnership with Emerson was short lived, it provided three, well received recordings on Rebel Records. 

                                   

Starting in the late 1960s and early ‘70s, a number of artists and groups were looking to areas outside of bluegrass for material.  Cliff Waldron was no exception.  Where a lot of these other groups borrowed not only material but the elements of pop and rock, Cliff took songs from folk, pop, and country and made them work seamlessly as bluegrass-styled tours of force. 

Among his favorite writers to mine for material were Kris Kristofferson, Merle Haggard, and Ian Tyson, all stars on the pop and country charts.  He blended these songs with a few deftly chosen bluegrass classics, a gospel song here and there, and a couple of instrumentals from various band members to arrive at a sound that was unqiuely representative of the modern bluegrass template. 

In 1970, Emerson rejoined The Country Gentlemen, replacing Eddie Adcock. Waldron briefly played with the Shenandoah Cut-Ups before recruiting his former bandmates into a new band, the New Shades Of Grass, who backed up his first solo release. The band made several well-received albums into the mid-1970s. Waldron stopped making commercial music in the early 1970s, however. For the next two decades he worked for the National Park Service, though he sometimes played music at his church and made some private gospel music recordings. 

In 1975, Waldron dedicated his life to Christ He made two albums in the middle 1970s, Gospel and God Walks the Dark Hills, before taking a break from music to begin a career with the National Park Service. In 1985 Cliff experienced severe health problems. He had been a diabetic for many years, and suffered a complete shutdown of his kidneys, which meant dialysis treatments three times a week. In 1986, a kidney transplant started him on the road to recovery. 

In 1996, Waldron retired from his job at the National Park Service and returned to bluegrass. From 1998 to 2003, he recorded four new albums: Old Friends and Memories, Seasons Past, Higher Ground, a gospel collection with bluegrass musician Paul Williams, and A Little Ways Down the Road. In 2004, Waldron was elected to the Society for the Preservation of Bluegrass Music of America’s Hall of Greats. He also returned to performing live and was seen on stage for the next decade. Waldron received a Distinguished Achievement Award from the IBMA in 2021, and will be long remembered for his music.

Cliff Waldron died in Virginia on July 1, 2024, at the age of 83.

(Edited from Wikipedia, Bluegrass Today, Rebel Records & AllMusic)

Thumbs Carllisle born 2 April 1931

Kenneth Ray Carllile (April 2, 1931 – July 31, 1987), better known as Thumbs Carllile (Carlisle in some collections),was an American country music guitarist and songwriter known for his innovative zither-like fingerstyle playing, sitting with his guitar in his lap while fretting, picking and strumming with his fingers and thumbs. He performed with Little Jimmy Dickens at the Grand Ole Opry in the early 1950s, and was a member of Roger Miller's band from 1964 to 1972. 

Kenneth Carllile was born in St. Louis, Missouri, and grew up on his impoverished father's tenant farm in Harrisburg, Illinois. At age eight he began playing a Dobro resonator guitar won by his sister Evelyn, and after she hid the steel bar, Carllile began using his thumbs. When his father gave him a Silvertone guitar, his small thumb and fingers were too short to make it around the neck, so he played it on his lap like the Dobro. 

Thumbs & Hank Garland

In 1941, Carllile's family moved to Granite City, Illinois, and he later made his debut playing "Sweet Georgia Brown" at a Ferlin Husky concert at the Music Box Club in East St. Louis. He was expelled from high school at 16 for refusing to shave, and instead performed with Husky until he was discovered by Little Jimmy Dickens in 1949 during a St. Louis appearance. He joined Dickens' Country Boys after demonstrating he could play both parts of Dickens' twin guitar lines. Dickens gave him the nickname Thumbs, which Carllile never embraced. He played with the group until 1952, including performances at the Grand Ole Opry. 

From 1952–54, Carllile served in the US Army, performing with its Special Services division. He was stationed in Stuttgart, Germany, where he met and married another service member, singer-songwriter Virginia Boyle, in 1955. After his discharge, Carllile regularly appeared on ABC-TV's Ozark Jubilee in Springfield, Missouri, from 1956 to 1957, both as a soloist and with Bill Wimberley's Country Rhythm Boys. They released Springfield Guitar Social on Starday in 1958. In the late 50s, he and Virginia performed in Billings, Montana and appeared on KOOK-TV. 

                                   

In 1961, Carllile met guitarist Les Paul, who was impressed by Carllile's skill and his wife's songwriting, and they recorded enough tracks for two albums at Paul's home studio in Mahwah, New Jersey. Later that year, Carllile (as Thumbs Carlyle) released a duet on Epic with his wife Virginia (as Ginny O'Boyle), "Indian Girl, Indian Boy". 

In 1963, Carllile joined the Wade Ray Five, and Ray's Las Vegas band, but left the following year to join Roger Miller's band, where he stayed until 1972. He appeared on Miller's 1966 NBC-TV show, and performed with him five times on NBC's Tonight Show during the 1960s. He also appeared at the Grammy Awards when Miller swept the country categories in 1964 with "Dang Me", and in 1965 with "King of the Road" (1965), for which Carllile provided the song's signature finger snaps. 

Miller helped him sign with Smash Records, where he released two albums, Roger Miller Presents Thumbs Carllile and All Thumbs in 1965. He released several singles for Smash, including "My Bossa Nova/Candy Girl" (1966). Several tracks he recorded for the label were popular but did not chart, including "Let it Be Me", "Caravan", "No Yesterday", "Theme from Picnic", "Blue Skies", "Stranger On The Shore" and "Hold It". In 1968, Carllile signed with Capitol and recorded the album Walking in Guitar Land. 

In 1986, he moved from Chattanooga, Tennessee, to Decatur, Georgia, where Virginia worked in a factory making springs. Carllile underwent surgery that year for colon cancer, which, despite fundraisers, left the family bankrupt. After recovering, he played with his trio, The Indecent 3; performed on Sagebrush Boogie, a weekly program on Atlanta's WRFG-FM; and was a regular at such venues as the Freight Room in Decatur and The Point. Carllile suffered a fatal heart attack on July 31, 1987, at a friend's place in Chattanooga, TN, where he was in town holding a seminar. He was  buried in Decatur Cemetery. 

Carllile's two daughters are also musicians: Kathy Carllile is a blues singer in Atlanta, Georgia, who once led Kathy Carllile and Tabasco, and had a minor hit with "Stay Until the Rain Stops" in 1986 on the Frontline label. She and Carllile were once winners on The Gong Show. Tammy Carllile sang in the Cowboy Boogie Band in Las Vegas and won Nashville's Hall of Fame singing competition; and also sang vocals on albums with her father. 

(Edited from Wikipedia & Shannon Byrne’s blog)

 

Bonnie Baker born 1 April 1917

Bonnie Baker (April 1, 1917 – August 11, 1990) was an American singer of jazz and popular music and was known from 1936 to the end of her performing career as Wee Bonnie Baker. Her biggest hit was "Oh Johnny, Oh Johnny, Oh!," recorded with the Orrin Tucker Orchestra in 1939. 

Bonnie with Orrin Tucker

She was born Evelyn Underhill* in Orange, Texas. She attended school in Galveston and Houston. At age 16, during the 1932–1933 school year, she was a day student at Mount de Sales Academy, in Macon, Georgia, which at that time was a Roman Catholic boarding school for girls. She then moved back to Houston where she sang in night clubs. She joined Orrin Tucker's band as a vocalist in 1936, after Louis Armstrong suggested that Tucker recruit her. Tucker gave her the stage name "Wee" Bonnie Baker on account of her height, about 4-foot 11 inches. She had only local fame before joining Tucker's orchestra – wider notability did not occur until she performed at the Empire Room of the Palmer House in Chicago in 1939, when she began to flourish in the South and Pacific Coast. 

Baker’s career with Tucker was uneventful until the runaway success of “Oh Johnny, Oh Johnny, Oh!” a twenty-year-old World War I-era song which sold over a million-and-a-half copies. Baker’s singing style made her wildly popular in her own right, and she began to receive equal billing with Tucker. Her girlish voice was described as "like a tiny silver bell, soft but tonally true". In 1940, she was voted most popular female band vocalist in Billboard’s annual college poll. Throughout the 1940s, she remained the most highly-imitated singer in show business. She also had success with the songs "You'd Be Surprised", "Billy", "Would Ja Mind?", and "Especially for You". Baker made two Hollywood appearances while with Tucker’s orchestra, including the feature film You’re the One. She shared the cover of Down Beat magazine’s February 15, 1940, issue with pianist and bandleader Joe Sanders. 

She left the Tucker orchestra in February and out on her own in February, Baker’s popularity soared. When Tucker enlisted in the Navy in mid-1942, she turned down an offer to front the band in his absence. As a solo act traveling with her own vaudeville unit and singing with various orchestras, she was making far more money than she could on a band salary. She legally adopted her stage name, Bonnie Baker, on October 9, 1943, in Circuit Court, Chicago, Illinois. 

                    

                Here's "Oh Johnny Oh Johnny Oh!" from above album.

                                  

She then continued with a solo career, singing with the USO (United Service Organizations) during World War II, and appearing regularly on the radio show Your Hit Parade. She also sang with other bands. Baker remained extremely popular through the mid-1940s. 

On January 30, 1943, she made the cover of Billboard and later that year sang several numbers in the Monogram feature film Spotlight Scandals. Baker’s popularity began to decline slightly after the war, though she continued touring and performing on the theater circuit as well as on radio and occasionally television. She recorded solo for the Memo label in 1946 and on Universal in 1948. In 1952, she recorded with Mel Blanc and Billy May on Capitol, singing opposite Blanc’s Porky Pig, Tweety and Sylvester characters and in 1956 she provided vocals for two Chilly Willy cartoons. That same year she released an album, Oh Johnny!, with orchestra conducted by Wilbur Hatch, on Warner Bros. Records.

Baker married four times during the 1930s and 1940s, the first to a man named Lakey in 1937. In October 1940, she and Tucker announced plans to wed. Even after she had left the band, in fall 1942, they apparently still intended to marry. How much of this was just the dreams of a publicity agent is unknown however. In interviews while with Tucker’s band, Baker typically insisted that she had no romantic interests in Tucker. In October 1943, she legally changed her name to her stage moniker and became engaged to a soldier, Lieutenant Johnnie Morse. The two married in December and were still together two years later. In March 1948, she married her manager, Frank Taylor. The couple had a child in October 1948 and divorced in October 1949. 

In spring 1950, Baker married comedy writer Bill Rogers. The pair teamed up, with Rogers playing guitar and writing specialty songs for her. Baker and Rogers continued performing as a team into the 1960s. Baker came to hate her signature song, as audiences always called for it. She grew tired of singing it, estimating that she performed it two thousand times each year. 

By 1975, Baker had married a fifth time, to a man named Gailey, a jazz guitarist and stage-act writer, also known as Billy Rogers. They moved to Fort Lauderdale in 1958 and performed in local clubs, such as Pier 66. She gave up singing in 1965, after a heart attack. By 1976, she was a switchboard operator at a Ft. Lauderdale medical center. She died in a Fort Lauderdale hospital in Florida on August 11, 1990 at the age of 73. 

 (Edited from Wikipedia, Bandchirps & Sun Sentinel) (* other sources give maiden name as Nelson)

Anita Carter born 31 March 1933

Ina Anita Carter (March 31, 1933 – July 29, 1999) was an American singer who played upright bass, guitar, and autoharp. She performed with her sisters, Helen and June, and her mother, Maybelle, initially under the name The Carter Sisters and Mother Maybelle. Carter had three top ten hits as well as other charting singles. She was the first to record the songs "Blue Boy" and "Ring of Fire". Carter was also a songwriter, most notably co-writing the Johnny Cash hit "Rosanna's Going Wild." The epithet most widely used to characterise her soprano voice was "achingly pure".

L-R June, Maybelle, Anita & Helen

A member of country music's most famous family, Anita Carter found success of her own as a folk solo act during the early '50s and late '60s. The Carter Family had ruled country music during the 1930s, but broke up in 1943 after patriarch A.P. Carter and his ex-wife Sara decided to retire. Sara's cousin Maybelle, the third member of the Carters, re-formed the group the same year as Mother Maybelle & the Carter Sisters with her daughters Helen, June, and Anita. The sisters had sung on Carter Family radio broadcasts in 1935, and the new group more than made up for the breakup of the originals. The Carters performed on radio from Virginia, Tennessee, and Missouri during the late '40s, but moved to the Grand Ole Opry in 1950.

In 1951, Anita stormed the charts with a one-off duet with Hank Snow; both "Bluebird Island" and its B-side, "Down the Trail of Achin' Hearts," reached the country Top Five. On March 26, 1952, she appeared on The Kate Smith Evening Hour with her family band "The Carter Sisters and Mother Maybelle" as the first females to represent hillbilly/country music and Music City Nashville on national television. On April 23, she returned to the program, where she performed a duet with Hank Williams, on his song "I Can't Help It (If I'm Still in Love with You)". 

Nita, Rita & Ruby

Then on May 21, she became the first female star of the Grand Ole Opry to sing a solo on The Kate Smith Evening Hour when she sang "Just When I Needed You". It was during the mid-'50s that she also performed with the teen trio 'Nita, Rita & Ruby, but spent most of her time with the Carters. The group continued to be popular on the Opry, and even opened for Elvis Presley in 1956-1957. After A.P. Carter's death in 1960, Mother Maybelle and the Carter Sisters became the Carter Family and performed more contemporary country than gospel.

                                    

In 1961, the Carters began a long-running association with Johnny Cash by appearing in his road show. In 1962, she recorded "Love's Ring of Fire," written by her sister June and Merle Kilgore. After the song failed to make the charts, Johnny Cash recorded it as "Ring of Fire" in March 1963 with the horns and the Carter Sisters (along with Mother Maybelle). This version became a hit for Cash. The Carters also recorded the country Top 15 single "Busted" with Cash that year, and after June Carter married him in 1967, the Carters appeared on his ABC-TV show from 1969 to 1971. Though the Carter Family continued to record usually with Cash during the early '70s, they disbanded in 1969. Mother Maybelle became recognized as a major figure in the folk revival that year, appearing with Sara at the Newport Folk Festival and on the Rounder album An Historic Reunion. 

Meanwhile, Anita had begun to record for RCA in 1966, hitting the country charts with "I'm Gonna Leave You." Another single charted in 1967, and her duet with Waylon Jennings on "I Got You" reached number four in March 1968. Later in 1968, Anita moved to United Artists, but several singles proved unsuccessful. She recorded for Capitol in the early '70s and almost hit the Top 40 with "Tulsa County." Her last chart appearance with the Carter Family, "Praise the Lord and Pass the Soup," was released in August 1973. 

L-R Helen, June, Anita & Carlene

After Maybelle's death in 1978, Helen and Anita continued as part of the Cash troupe, which sometimes included a third generation of the Carter family, among them Anita's daughter, Lori. The three sisters and June's daughter, Carlene, gave a memorable show at the 1986 Wembley Festival of Country Music. The Carter sisters and their daughters made albums together in 1982 and 1988. Anita, Helen and June also made a guest appearance on the second volume of the Nitty Gritty Dirt Band's album, Will The Circle Be Unbroken, in 1990.

For the remainder of the decade Anita's activities were curtailed by severe arthritis and the drugs used to treat it severely damaged her pancreas, kidneys, and liver. She died in Tennessee on July 29, 1999, at the age of 66, a year after eldest sister Helen and four years before middle sister June. She was under hospice care at the home of Johnny and June Carter Cash in Hendersonville, Tennessee. Her interment was in Hendersonville Memory Gardens in Hendersonville, Tennessee.

Carter married fiddler Dale Potter in 1950 (marriage was annulled shortly thereafter), session musician Don Davis in 1953 (divorced and then remarried), and Bob Wootton (lead guitarist for Johnny Cash's band The Tennessee Three) in 1974 (divorced). She had two children.

(Edited from Wikipedia, The Guardian & AllMusic)